We have 2 recordings this week, which I put in one post.
Part 1
- Start - Ash discussed new seating arrangements including for the coro piccolo singers. He also went into what group would rehearse what pieces, and where. At just under 4 minutes someone played the piano part for movement 19, Si Puer Cum Puellula, but it's not the rehearsal.
- 5:10 Ash began rehearsal for 19, Si Puer Cum Puellula, for the tenor and bass coro piccolo only
- 26:40 All tenors and basses rehearse In Taberna, beginning with movement 12, Olum Lacus Colueram, the choral part after a tenor solo.
- 33:45 Tenors and basses rehearse movement 14, In Taberna Quando Sumus, which Ash rehearsed backward.
- 54:12 Sopranos and altos came in, Ash arranged seating. There were announcements, discussion of concert dress. Full chorus did some warmups.
- 1:04:23 Rehearsed movement 20, Veni Veni Venias
- 1:13:30 Rehearsed movement 22, Tempus Est Iocundum
- 1:28:40 Rehearsed movement 24, Blanziflor Et Helena
1:34:54 Announcements and break
Filesize: 127 MB
Click here to listen or download
Part 2
Before we did anything, Ash had us rearrange our seating for the full run.
3:37 Phil announced Jessica Furer, to do Why I Sing. She explained that she would perform The Doll Song from Offenbach's Tales of Hoffman.
8:36 Ash announced the run of Carmina Burana with details on taking notes and issues of standing and tone and especially diction, and entry at the concert.
- 13;00 1 O, Fortuna
- 16:43 2 Fortune Plango Vulnera
- 20:30 3 Veris Leta Facies
- 25:25 5 Ecce Gratum
- 29:48 7 Floret Silva
- 34:16 8 Chramer, gip die varwe mir
- 36:53 9 Swaz hie gat umbe
- 37:45 Chume, Chum, Geselle Min
- 39:38 10 Were Diu Werelt Alle Min
- 40:30 Ash gave us an analysis of our performance this evening with instructions for next week; final discussion included some requests from Barbara Miller.
Filesize: 59.8 MB
